Field Day Theatre Company
The Field Day Theatre Company began as an artistic collaboration between playwright Brian Friel and actor Stephen Rea. In 1980, the duo set out to launch a production of Friel's recently completed play, Translations. They decided to rehearse and premiere the play in Derry with the hope of establishing a major theatre company for Northern Ireland. The production and performance of Translations generated a level of excitement and anticipation that unified, if only for a short time, the various factions of a divided community.
Although Field Day has never put forth a formal mission statement, their intention was to create a space, a 'fifth province,' that transcended the crippling oppositions of Irish politics. The term 'fifth province' — Ireland consists of four provinces — was coined by the editors of an Irish Journal, The Crane Bag, to name an imaginary cultural space from which a new discourse of unity might emerge. In addition to being an enormous popular and critical success, Field Day's first production created just such a space. After the production of Translations, Seamus Heaney, Ireland's most prominent poet, recognized the importance of what they had accomplished and urged Brian Friel to continue with the project: "this was what theatre was supposed to do" (cited in Richtarik, 65).
That the company was established in Derry, Northern Ireland's "second city," is significant. Although Friel knew the city well (he had lived there until 1967), Derry, being close to the border, is a hot-spot in the north-south tensions known as "The Troubles". Furthermore, its western location and its relationship to Belfast, Northern Ireland's east coast capital, underline a second historically older division in Ireland — the division between the cosmopolitan east and the rural, romantic west.
Read more about Field Day Theatre Company: More Than Theatre, Bibliography
Famous quotes containing the words field, day, theatre and/or company:
“After all the field of battle possesses many advantages over the drawing-room. There at least is no room for pretension or excessive ceremony, no shaking of hands or rubbing of noses, which make one doubt your sincerity, but hearty as well as hard hand-play. It at least exhibits one of the faces of humanity, the former only a mask.”
—Henry David Thoreau (1817–1862)
“I take your arms boldly,
each day a new excursion.
Come, my sister,
we are two virgins,
our lives once more perfected
and unused.”
—Anne Sexton (1928–1974)
“Mankind’s common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, life’s supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a man’s frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.”
—William James (1842–1910)
“We are imprisoned in life in the company of persons powerfully unlike us.”
—Ralph Waldo Emerson (1803–1882)