Fibonacci Numbers in Popular Culture - Television

Television

  • The scientist character Walter Bishop in the television show Fringe recites the Fibonacci sequence to fall asleep. It is later revealed to be the key sequence identifying a series of safe deposit boxes he had maintained.
  • Square One Television's Mathnet series had a storyline that featured a parrot belonging to a deceased individual who was fascinated by the Fibonacci numbers. When "1, 1, 2, 3" is said in the parrot's presence, it responds "5, eureka!" This proves to be the key to case; tiles in a garden wall are found to follow the Fibonacci sequence, with a secret compartment hidden behind the lone misplaced tile.
  • The Criminal Minds episode "Masterpiece" in season 4 features a serial killer who uses Fibonacci sequences to choose both the amount of victims at a given time and the location of their hometowns.
  • Aliens use Fibonacci's sequence in the Taken episode "God's Equation".
  • In the Disney Channel TV show So Weird, the Fibonacci sequence is used to build a house. The house becomes a nexus for lost spirits, Fiona is given a choice to use it to free her father as well as the builder of the house, but ultimately chooses to free the spirits and destroys the nexus.
  • The Fibonacci sequence is a main plot theme in the 2012 television show Touch, produced by Fox Network and starring Kiefer Sutherland.
  • In the CBS show Numb3rs, the episode entitled Thirteen uses a Fibonacci sequence embedded in a numeric code left behind by a serial killer.

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Famous quotes containing the word television:

    “All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.”
    —Clive James (b. 1939)

    “The television critic, whatever his pretensions, does not labour in the same vineyard as those he criticizes; his grapes are all sour.”
    —Frederic Raphael (b. 1931)

    “The technological landscape of the present day has enfranchised its own electorates—the inhabitants of marketing zones in the consumer goods society, television audiences and news magazine readerships... vote with money at the cash counter rather than with the ballot paper at the polling booth.”
    —J.G. (James Graham)