Feminist Theory in Composition Studies - Beginnings

Beginnings

In the 1960s, the second wave of feminism began and one major goal was to raise society’s consciousness of the struggles of women. The goals of feminists were largely carried out in university classrooms. Specifically, in the composition classroom, some claimed that the way writing was taught largely favored male writers. Female writers, struggling to strive, felt as if they were not intellectuals (Howe). The task at hand then was to learn how to teach composition to women. Some claimed that women implicitly write differently than men, and that men tended to write in the dominant, most oft taught style.

Mary P. Hiatt argues that the terms “masculine” and “feminine” are applied to styles of writing–that of men and women, respectively–but, instead of describing the style, what is actually described is the male views on both men and women. Her examples include “strong,” “rational,” and “logical” for men, and “emotional,” “hysterical,” and “silly” for women. Thus, the aim of feminism in composition studies was to create a classroom in which women perceived themselves intellectually and in which their voices were relevant in what some feminists perceive to be an androcentric world.

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