Female Architects - European Developments

European Developments

After Finland, several other European countries allowed women to study architecture. In Norway, the first female architect was Lilla Hansen (1872–1962) who studied at the Royal Drafting School (Den Kongelige Tegneskole) in Kristiania (1894) and served architectural apprenticeships in Brussels, Kristiania and Copenhagen. She established her own practice in 1912 and gained immediate success with Heftyeterrassen, a Neo-baroque residential complex in Oslo. She went on to design a number of large villas as well as student accommodation for women.

The first woman to run an architecture practice in Germany was Emilie Winkelmann (1875−1951). She studied architecture as a guest student registered as Student Emil at the College of Technology in Hanover (1902–1908) but was refused a diploma as women were not entitled to the qualification until 1909. Working from her practice in Berlin where she employed a staff of 15, she completed some 30 villas before the outbreak of war. One of her most notable buildings is the Tribüne theatre in Charlottenburg-Wilmersdorf, originally a girls school.

In Serbia, Jelisaveta Načić (1878–1955) studied architecture at the University of Belgrade at a time when it was felt that women should not enter the profession. At the age of 22, she was the first woman to graduate from the Faculty of Engineering. As a woman, she was unable to obtain the ministerial post she sought but gained employment with the Municipality of Belgrade where she became chief architect. Among her notable achievements are the well-proportioned Kralj Petar I (King Peter I) elementary school (1906) and the Moravian-styled Alexander Nevsky Church (1929), both in Belgrade. The first female architect in Serbia, she did much to inspire other women to enter the profession.

Margarete Schütte-Lihotzky (1897–2000) was the first female architect in Austria and the first woman to graduate from Vienna's Kunstgewerbeschule, though she was admitted only after a letter of recommendation from an influential friend. A pioneer of social housing development in Vienna and Frankfurt, she combined design with functionality, especially in her Frankfurt Kitchen, the prototype of today's built-in kitchen.

In Switzerland, Flora Steiger-Crawford (1899–1991) was the first woman to graduate in architecture from Zurich's Federal Institute of Technology in 1923. She established her own firm with her husband Rudolf Steiger in 1924. Their first project, the Sandreuter House in Riehen (1924), is considered to be the first Modernist house in Switzerland. In 1938, she terminated her architectural activities in favour of sculpture.

  • Lilla Hansen: Heftyeterrassen, Oslo (1929)

  • Emilie Winkelmann: Tribüne theatre, Berlin (1915)

  • Jelisaveta Načić: Alexander Nevsky Church, Belgrade (1929)

The first woman to be admitted to Britain's Royal Institute of British Architects (RIBA) was Ethel Charles (1871–1962) in 1898. She and her sister Bessie were both trained as architects under the partnership of Ernest George and Harold Peto. In 1893, they both attempted to continue their training by attending the Architectural Association School of Architecture but were refused entry. Ethel completed part of the course offered by the Bartlett School of Architecture, receiving distinctions. As a woman, though, she was unable to obtain large-scale commissions and was forced to concentrate on modest housing projects such as labourers' cottages. Another early female architect in Britain was Edith Hughes (1888–1971), a Scot, who after attending lectures on art and architecture at the Sorbonne, studied at Gray's School of Art, Aberdeen, where she received a diploma in architecture in 1914. In addition to teaching at the Glasgow School of Art, she established her own practice in 1920, specializing in kitchen design. The first women to design a major building in Britain was Elisabeth Scott (1898–1972) who was the architect behind the Shakespeare Memorial Theatre at Stratford-upon-Avon completed in 1932.

  • Edith Hughes: Glasgow Mercat Cross (left) (1930)

  • Elisabeth Scott:Shakespeare Memorial Theatre, Stratford-upon-Avon (1932)

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