Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Billboard | favourable |
| Sputnikmusic | 3.5/5 |
Reviews for the album were mixed, with Allmusic commenting that, while "easily an improvement over 1990's lackluster No Prayer for the Dying (both musically and sonically)," the release "still wasn't quite on par with their exceptional work from the '80s." Sputnikmusic were more positive about the release, stating that "though many of the songs are still sub-par by their standards... the band returns to the lofty heights that they enjoyed for the entirety of the 80's." Billboard had a positive reception upon release, saying Dickinson's voice "shows no sign of wear and tear" and the guitar work "sounds fresh and crisp".
In October 2011, Fear of the Dark was ranked number 8 on Guitar World magazine's top ten list of guitar albums of 1992.
Fear of the Dark became the third Iron Maiden album to top the UK Albums Chart. It is the band's most successful record in North America after the inception of Nielsen SoundScan in 1991, with 438,000 copies sold as of 2008.
Read more about this topic: Fear Of The Dark (Iron Maiden album)
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (18031882)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, I hear you spoke here tonight. Oh, it was nothing, I replied modestly. Yes, the little old lady nodded, thats what I heard.”
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)