Production
"Fear of Flying" was directed by Mark Kirkland, and written by David Sacks. The story of the episode came about when Sacks came into the writers' room with an idea for an episode where Marge goes to a therapist "for one reason or another". Sacks and the other writers then structured the rest of the plot around that storyline. Anne Bancroft was called in to voice Zweig. Before Bancroft recorded her part, the animators based Zweig's design on a temp track from cast member Tress MacNeille as the therapist. After Bancroft had recorded her part, Zweig was redesigned to fit with Bancroft's voice. They added split glasses and a streak of silver in her hair to give her a more mature look.
The staff was able to get the central cast of the American sitcom Cheers, with the exception of Kelsey Grammer, to reunite and guest star in the episode. The staff could not arrange the script to allow time in the episode for Grammer, who already had a recurring role on The Simpsons as Sideshow Bob, to voice Frasier Crane. Ted Danson guest starred as Sam, Woody Harrelson as Woody, Rhea Perlman as Carla, John Ratzenberger as Cliff, and George Wendt as Norm.
Read more about this topic: Fear Of Flying (The Simpsons)
Famous quotes containing the word production:
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)