Production
It was produced in the studios of Channel 10 Adelaide and it survived the 1987 frequency switch of channels 10 & 7 in Adelaide.
Fat Cat and Friends was written, directed and produced by Murray George for 13 years. It was then produced by Channel 10.
The show ran on the 0-10 Network (as it was then known) from 1972 until 1987, then on the Seven Network until it was cancelled in 1992 after the Australian Broadcasting Tribunal claimed that the program was not educational enough and was "not clearly defined and might confuse the young". There was also a question of gender—namely, that Fat Cat did not appear to have one. The character being mute was also a clear issue despite the precedent of Humphrey B. Bear.
Despite cancellation, Fat Cat still appears on Perth television screens as the mascot of Seven Perth's highly successful Telethon fundraising organisation. He also says goodnight to children on television at 7.30 each night.
Fat Cat was played originally played by Reg Whiteman for more than a decade. Fat Cat was then played by Ralf Hadzic for five years. Fat Cat was then played by Melanie George (1980–1985) who is now a freelance choreographer. The character was later played off screen by a male friend Damien of the show's musician, singer Patsy Biscoe.
Initially slated for release as a sidekick to Fat Cat, the character of 'Stringbean' was originally played in the first month of screening by veteran comedic actor 'Nudge McGee'.
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Famous quotes containing the word production:
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)