Faroese Art - The Mothers and Fathers of Faroese Art

The Mothers and Fathers of Faroese Art

The real history of Faroese art starts in the year 1927. This year, three young artists held an exhibition in Tórshavn. Two of these were Sámal Joensen-Mikines (1906–1979) and William Heinesen (1900–1990)

The first, Mikines, came to be known as the father of Faroese art and the first Faroese artist to become internationally recognised. More importantly he was the very first Faroese artist to acquire an artistic degree. Mikines began his education at the Academy of Fine Arts in Copenhagen in 1928 with Aksel Jørgensen and Ejnar Nielsen as his teachers. Mikines was artistically highly inspired by the Norwegian artist Edvard Munch, and had a great admiration for El Greco and Delacroix. His early paintings are naturalistic, but later he became an expressive figurative painter. He was very original in his choice of colour and design. Mikines demonstrated a new approach to substance and form in painting which had a profound influence on Faroese art. He painted funerals, steep mountains and landscapes. His paintings of pilot whaling became important to future artists. He introduced the possibility of allowing the landscape to mirror the painter´s inner life.

William Heinesen was a very different type of artist. Literature was his vocation. Although he considered himself an amateur in visual art, he created some very important works in Faroese art. His imagery doesn't evolve around the landscape. Folktale, satire and everyday life are Heinesen's subjects.

Read more about this topic:  Faroese Art

Famous quotes containing the words mothers, fathers and/or art:

    All mothers need instruction, nurturing, and an understanding mentor after the birth of a baby, but in this age of fast foods, fast tracks, and fast lanes, it doesn’t always happen. While we live in a society that provides recognition for just about every life event—from baptisms to bar mitzvahs, from wedding vows to funeral rites—the entry into parenting seems to be a solo flight, with nothing and no one to mark formally the new mom’s entry into motherhood.
    Sally Placksin (20th century)

    One wonders that the tithing-men and fathers of the town are not out to see what the trees mean by their high colors and exuberance of spirits, fearing that some mischief is brewing. I do not see what the Puritans did at this season, when the maples blaze out in scarlet. They certainly could not have worshiped in groves then. Perhaps that is what they built meeting-houses and fenced them round with horse-sheds for.
    Henry David Thoreau (1817–1862)

    Ye know why the forms are fair, ye hear how the tale is told:
    It is all triumphant art, but art in obedience to laws,
    Robert Browning (1812–1889)