Far From The Madding Crowd (1967 Film) - Plot

Plot

Set in the rural West Country in Victorian England, the story features Bathsheba Everdene (Julie Christie), a beautiful, headstrong, independently minded woman who inherits her uncle's farm and decides to manage it herself, which engenders some disapproval from the local farming community. She hires a former neighbor, Gabriel Oak (Alan Bates), to be her shepherd; a rejected suitor, Gabriel lost his own flock of sheep when one of his dogs drove them over a steep cliff. Ignoring Gabriel's love, Bathsheba impulsively sends a valentine to William Boldwood (Peter Finch), a nearby gentleman farmer. When he misinterprets her capriciousness and proposes to her, Bathsheba promises to consider his offer. Instead, however, she becomes enamored of Frank Troy (Terence Stamp), a dashing cavalry officer. Unaware that Troy has refused to marry young Fanny Robin (Prunella Ransome), a maidservant pregnant with his child, because she embarrassed him by going to the wrong church on their wedding day, Bathsheba foolishly becomes his wife. After Troy has gambled away most of Bathsheba's money and created disharmony among the farmhands, he discovers that Fanny has died in childbirth. Filled with remorse, he swears that he never loved Bathsheba, walks out on her, and disappears into the ocean. Bathsheba then promises to marry Boldwood when Troy is declared legally dead; but Troy appears at their engagement party and the nearly deranged Boldwood kills him. Shortly after Boldwood has been sent to prison, Gabriel tells Bathsheba that he is planning to emigrate to America. Realizing how much she has always needed his quiet strength and unselfish devotion, Bathsheba persuades Gabriel to remain in Weatherbury as her husband.

Read more about this topic:  Far From The Madding Crowd (1967 Film)

Famous quotes containing the word plot:

    The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.
    Charles Dickens (1812–1870)

    Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    But, when to Sin our byast Nature leans,
    The careful Devil is still at hand with means;
    And providently Pimps for ill desires:
    The Good Old Cause, reviv’d, a Plot requires,
    Plots, true or false, are necessary things,
    To raise up Common-wealths and ruine Kings.
    John Dryden (1631–1700)