Fancy Dance - History

History

During the 1920s and 1930s, Native American religious dances were outlawed by the United States and Canadian governments. Many dances had to go underground to avoid detection by European-American authorities. Tribes created new dances that could legally be danced in public. Kiowa and Comanches created new styles of dance regalia in the 1930s that included long-johns with bells attached to the knee up to the waist, two small arm bustles with white fluff, two bustles with white down, beadwork harnesses, and some feathers, and the roach being tall and usually with fluffs. This regalia would be incorporated into the fancy dance.

The fancy dance was developed after 1928, when the Ponca Tribe built their own dance arena in White Eagle, Oklahoma. Two young Ponca boys are specifically credited with developing the fast-paced dance that the audiences loved. One of the boys was the grandfather of Parrish Williams, a Ponca roadman. The Wild West shows popularized the dance. Gus McDonald (Ponca) was the first World Champion Fancy War Dancer.

The intertribal powwow circuit was established in the early 20th century, spreading across the Southern Plains. The Kiowa held contest powwows as early at 1918. Among Kiowa, fancy dancing was incorporated into the O-ho-mah Society. Contest powwows became an important source of income during the Great Depression. Professional fancy dancers of the 1930s included Chester Lefthand (Arapaho), Stephen Mopope (Kiowa), Dennis Rough Face (Ponca), and George "Woogie" Watchetaker (Comanche). In the 1940s, Elmer Sugar Brown added back flips to his fancy dancing and Gus McDonald added both cartwheels and splits.

In the late 1930s, women began fancy dancing, wearing the same regalia as men. By the 1940s, women's fancy dancing was well established. Shalah Rowlen (Sac and Fox) fancy danced with her sisters, wearing bustles, in the early 1940s. Women's fancy dancing declined in the 1950s, but in the 1960s and 1970s, the dance came back as the women's fancy shawl dance.

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