Reception
Face/Off received mostly positive reviews from critics and garnered high box office earnings, making it a critical and financial success. The role reversal between Travolta and Cage was a subject of praise, as were the stylized, violent action sequences. Critic Roger Ebert of the Chicago Sun-Times remarked that "Here, using big movie stars and asking them to play each other, Woo and his writers find a terrific counterpoint to the action scenes: All through the movie, you find yourself reinterpreting every scene as you realize the "other" character is "really" playing it." Rolling Stone's Peter Travers said of the film, "You may not buy the premise or the windup, but with Travolta and Cage taking comic and psychic measures of their characters and their own careers, there is no resisting Face/Off. This you gotta see." Richard Corliss of Time Magazine said that the film "isn't just a thrill ride, it's a rocket into the thrilling past, when directors could scare you with how much emotion they packed into a movie."
Some critics felt the film's violence was overkill, and that the action sequences dragged out too long. Barbara Shulgasser of the San Francisco Examiner called the movie "idiotic" and argued that "a good director would choose the best of the six ways and put it in his movie. Woo puts all six in. If you keep your eyes closed during a Woo movie and open them every six minutes, you'll see everything you need to know to have a perfectly lovely evening at the cinema."
Face/Off holds a 94 percent "Fresh" rating on Rotten Tomatoes with 54 positive reviews out of a total 56 and a score of 82 on Metacritic with 25 reviews counted. The film was nominated for the Academy Award for Sound Editing at the 70th Academy Awards, but lost to Titanic. Face/Off also won the Saturn Awards for Best Directing and Writing, and the MTV Movie Awards for Best Action Scene (the speedboat chase) and Best Duo for Travolta and Cage.
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