Reviews
Although Morrissey's debut "Suedehead" had received a positive review from the English music magazine NME, the follow-up received a cooler reaction. Alluding to the controversy that had arisen over Morrissey's "Bengali in Platforms", reviewer Steven Wells warned the singer to not "attract a Sham Army style of following and end up like Jimmy Pursey" and to "Think on, lad." However praise for the single came in Q magazine in September 1992 when Chrissie Hynde (who would later record her own version of the song) said that the "lyric to Everyday Is Like Sunday is, to me, a masterful piece of prose" and Siobhan Fahey described it as her "all-time top song". Ned Raggett of Allmusic wrote, "Street's orchestrations fit the melancholic surge of the music to a T, while Morrissey's portrait of a "coastal town they forgot to bomb" is evocative and given a bravura vocal."
"There's no way the B-sides can achieve the same level as the main track, but each has their points," continues Raggett. "'Sister I'm a Poet'" is the most explicitly Smiths-like track, a quick band romp with a cryptic lyric. More of note is 'Disappointed,' which meshes a touch of 'How Soon Is Now?'-style tremolo guitar with an aggressive, shuddering drum punch. The wickedly funny lyric at once celebrates his rock icon status and pokes more than a few holes in it. 'Will Never Marry' is mostly a Street showcase of gently descending guitar and gripping strings, but Morrissey's lyric to an unknown letter writer is also worthy of note.
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