Career
Taubenfeld received a phone call from Josh Sarubin, inviting him to audition for a new talent he just signed, a young Canadian named Avril Lavigne. Taubenfeld remained in Lavigne's band until September 2004; when he was given his own recording contract. In 2008, Taubenfeld produced two tracks for rapper Tyga's debut album No Introduction, "Press 7" and "First Timers", the latter of which he was also featured in. Taubenfeld's first single, "Boy Meets Girl", was released in March 2009. He was the executive musical director for the short lived MTV show Kaya. Taubenfeld also had a role in the series, Private, as Blake Pearson. On July 26, 2009 Taubenfeld joined Metro Station, Mayday Parade, and Mitchel Musso on his second tour as a solo artist. Taubenfeld's Christmas single, "Merry Swiftmas (Even Though I Celebrate Chanukah)" debuted at #59 on the Hot Country Songs chart. His album, Welcome to the Blacklist Club was released in May 2010. He re-teamed with Lavigne and co-wrote several songs on her 2011 album, Goodbye Lullaby. Taubenfeld performs the bridge vocals on Lavigne's track "Push". Evan also co-wrote a song for The Used album "Vulnerable" the fifth track "SHINE". In 2012 while helping produce songs for the the Japanese band Stereopony, they collaborated and subsequently dubbed them self "Evanpony". A few months later Stereopony announced they would be splitting up later that year. Shiho (drums) and Nohana (bass) from Stereopony will continue with Evanpony.
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Famous quotes containing the word career:
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)