Work
"Evaline Ness Papers" at the University of Minnesota is a collection of "manuscript and illustrative material" for twenty books published 1954 to 1983. According to that archive,
was noted for her ability to work in a variety of media and her innovative and unique illustrations that interweaved text and pictures to create a story that captured a young child's attention and imagination. This talent is especially evident in her own written works with their girl protagonists and subtle stories that have a backdrop of 'feminism' and present 'real' characters learning about all of life's pleasures, problems, and pains.
"Evaline Ness Papers" at the University of Southern Mississippi is two boxes of material from her illustrations of four stories written by other authors, published 1965 to 1975. According to that archive,
Because printer's ink is flat, Ness' constant concern was how to get texture into that flatness. The primary challenge in illustrating children's books, she believed, was how to maintain freedom within limitation. Some of the techniques she has used to combat these limitations include woodcut, serigraphy, rubber-roller technique, ink splattering, and sometimes spitting.
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Famous quotes containing the word work:
“I move my thin legs into your office
and we work over the cadaver of my soul.
We make a stage set out of my past
and stuff painted puppets into it.”
—Anne Sexton (1928–1974)
“Henry David Thoreau, who never earned much of a living or sustained a relationship with any woman that wasn’t brotherly—who lived mostly under his parents’ roof ... who advocated one day’s work and six days “off” as the weekly round and was considered a bit of a fool in his hometown ... is probably the American writer who tells us best how to live comfortably with our most constant companion, ourselves.”
—Edward Hoagland (b. 1932)
“By this contrivance the machinery of my work is of a species by itself; two contrary motions are introduced into it, and reconciled, which were thought to be at variance with each other. In a word, my work is digressive, and it is progressive too,—and at the same time.”
—Laurence Sterne (1713–1768)