European Architecture Students Assembly
European Architecture Student Assembly was founded in 1981 by architect students like Geoff Haslam and Richard Murphy and is closely related to the Winterschool concept, which organises similar events for UK students of architecture. EASA takes place each summer in a different country, with the event usually lasting two weeks. It is organised by students of architecture for students of architecture and the concept is operated on a cooperative basis. In fall at INCM, Intermediate National Contact Meeting, the location for EASA is decided one and a half year in advance. Typically 400 students take part in the event and engage in workshops, exhibitions, lectures and social events loosely based around a specific theme. These events are run by a combination of academics and students and encompass a wide variety of activities with a greater or lesser relationship to architecture. The event is funded through a combination of attendance fees (which vary for each country based upon ability to pay), grants and sponsorship, all arranged by the organising committee for each event.
EASA has little or no formal structure in that each event is organised as a unique occurrence- though a system of National Contacts, NC's, that ensures, that the event each year is well supported. NC's also typically meet once a year to discuss the previous EASA and prepare for the next. Students come from over 40 European countries to the event each year. Recent Assemblies have seen students participating from the USA and Central American countries.
Read more about European Architecture Students Assembly: EASA Summer Meetings, The Umbrella Workshop
Famous quotes containing the words european, architecture, students and/or assembly:
“In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American—on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.”
—Wallace Stevens (1879–1955)
“All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art, like the art of fireworks.”
—Gilbert Keith Chesterton (1874–1936)
“Teaching Black Studies, I find that students are quick to label a black person who has grown up in a predominantly white setting and attended similar schools as “not black enough.” ...Our concept of black experience has been too narrow and constricting.”
—bell hooks (b. c. 1955)
“Our assembly being now formed not by ourselves but by the goodwill and sprightly imagination of our readers, we have nothing to do but to draw up the curtain ... and to discover our chief personage on the stage.”
—Sarah Fielding (1710–1768)