Eugen Weber - Works

Works

  • The Nationalist Revival in France, 1905-1914, 1959.
  • Action Française: Royalism and Reaction in Twentieth Century France (1962).
  • "Nationalism, Socialism and National-Socialism in France" French Historical Studies, Volume 2, 1962. pages 273-307 in JSTOR
  • Satan France-Maçon: la mystification de Leo Taxil, 1964.
  • Varieties of Fascism: Doctrines of Revolution in the Twenthieth Century (1964).
  • co-edited with Hans Rogger, The European Right: A Historical Profile, 1965.
  • "Pierre de Coubertin and the Introduction of Organized Sports in France" pages 3–26 from Journal of Contemporary History, Volume 5, 1970.
  • "Gymnastics and Sports in Fin-de-Siècle France: Opium of the Classes?" pages 70–98 from American Historical Review, Volume 76, 1971.
  • A Modern History of Europe: Men, Cultures, and Societies from the Renaissance to the Present (1971).
  • Peasants Into Frenchmen: The Modernization of Rural France, 1880–1914 (1976).
  • "The Second Republic, Politics, and the Peasant," French Historical Studies Vol. 11, No. 4 (Autumn, 1980), pp. 521–550 in JSTOR
  • "Comment la politique vint aux paysans: A Second Look at Peasant Politicization," American Historical Review, Volume 87, 1982 pages 357-389 in JSTOR
  • "Fascism(s) and Some Harbingers," The Journal of Modern History Vol. 54, No. 4, December 1982
  • "Reflections on the Jews in France" from The Jews in Modern France edited by Frances Malino and Bernard Wasserstein, 1985.
  • France, Fin de siécle (1986).
  • My France: Politics, Culture, Myth, 1991.
  • The Hollow Years: France in the 1930s (1994).
  • Apocalypses: Prophecies, Cults, and Millennial beliefs through the Ages (2000).

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    “...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
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    “I meet him at every turn. He is more alive than ever he was. He has earned immortality. He is not confined to North Elba nor to Kansas. He is no longer working in secret. He works in public, and in the clearest light that shines on this land.”
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    “The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
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