Reception
E.T. the Extra-Terrestrial was a commercial success; it reached number 82 on the UK Albums Chart, which was considered high for a storybook album. The audiobook won Jackson a Grammy Award in 1984 for Best Recording for Children. Upon collecting the award and taking home a record eight Grammys from an unprecedented twelve nominations, the singer stated that of all the awards had received that night, he was "most proud of this one".
E.T. the Extra-Terrestrial was also well-received critically. Charles L Sanders of Ebony magazine described it as an "extraordinary album". Mark Bego of the Toledo Blade asserted that the song "Someone in the Dark" was "one of the most beautiful ballads" that Jackson had ever recorded. He further commented that the amalgamation of Jones' production, dialogue from the film, Jackson's "effective and emotional" reading of the narrative and the audiobook's "grand soaring orchestration" made the E.T. the Extra-Terrestrial album " as many tears as the movie does". A writer for Billboard described the audiobook as being "lavishly packaged, lovingly produced" and worth its high asking price. A journalist for the Lexington Herald-Leader concluded that it was a "delightful" storybook album.
Read more about this topic: E.T. The Extra-Terrestrial (album)
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)