Selection of Work in Variety, Cabaret and Performance Art
- The LA Italian Revue (variety - 1984, USA)
- The Victoria Series (cabaret - 1988/93, I)
- Support for Nino Frassica (cabaret - 1991, I)
- The Lenny Beige Show at the Regency Rooms (variety - 1998, UK)
- The Amazing Tomasini at the Tron Theatre, Glasgow (cabaret - 2001, UK)
- Stars Fall From Heaven at the Colourscape Festival (performance art - 2006, UK)
- The History of Ecstasy (performance art - 2009, I)
- Tomasini/Macabra Trans4Leben at the MILKandLEAD art gallery, London (performance art - 2011, UK)
- Lascia o raddoppia? (performance art - 2011, UK)
Read more about this topic: Ernesto Tomasini
Famous quotes containing the words selection of, selection, work, performance and/or art:
“The books for young people say a great deal about the selection of Friends; it is because they really have nothing to say about Friends. They mean associates and confidants merely.”
—Henry David Thoreau (1817–1862)
“It is the highest and most legitimate pride of an Englishman to have the letters M.P. written after his name. No selection from the alphabet, no doctorship, no fellowship, be it of ever so learned or royal a society, no knightship,—not though it be of the Garter,—confers so fair an honour.”
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“Your children get a lot of good stuff out of your work...They benefit from the tales you tell over dinner. They learn from the things you explain to them about what you do. They brag about you at school. They learn that work is interesting, that it has dignity, that it is necessary and pleasing, and that it is a perfectly natural thing for both mothers and fathers to do...Your work enriches your children more than it deprives them.”
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“The way to go to the circus, however, is with someone who has seen perhaps one theatrical performance before in his life and that in the High School hall.... The scales of sophistication are struck from your eyes and you see in the circus a gathering of men and women who are able to do things as a matter of course which you couldn’t do if your life depended on it.”
—Robert Benchley (1889–1945)
“The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
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