Early Career
In 1877, Rössler made her first professional performance, in Beethoven's Ninth Symphony in Graz, appearing with soprano Maria Wilt, and her operatic debut at Dresden's Royal Opera House on October 15, 1878 as Azucena in Il trovatore.
In 1882, she married Ernest Heink, secretary of the Semperoper, the Saxon State Opera Dresden; this violated the terms of their contracts, and both had their employment abruptly terminated. Heink took a job at the local customs house and was soon transferred to Hamburg. Ernestine remained in Dresden to pursue her career, and eventually rejoined her husband when she secured a position at the Hamburg Opera. She went on to have four children with Heink. One of their children, Ferdinand Schumann-Heink (1893–1958) was a prolific, though mostly unbilled, Hollywood character actor.
Ernest Heink was again thrown out of work when Saxons were banned from government positions, and departed to Saxony to find work. Ernestine, pregnant, did not follow him; they were divorced in 1893. That same year she married actor Paul Schumann, with whom she had three more children. Her second marriage lasted until Paul Schumann's death in 1904. She made a brief foray into the Broadway theater, playing in Julian Edwards' operetta Love's Lottery, in which her performance was noted for the fact that she often broke off to ask the audience whether her English was good enough. She returned to opera shortly afterwards.
Her breakthrough into leading roles was provided when prima donna Marie Goetze argued with the director of the Hamburg opera. He asked Ernestine to sing the title role of Carmen, without rehearsal, which she did to great acclaim. Goetze, in a fit of pique, cancelled out of the role of Fidès in Le prophète, to be performed the following night, and was again replaced by Ernestine. Schumann-Heink replaced Goetze as Ortrud in Lohengrin the following evening, one more time without rehearsal, and was offered a ten-year contract.
Read more about this topic: Ernestine Schumann-Heink
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