Career
He went to Münich where he stayed for four years. His meeting with the French air painting, particularly Charles François Daubigny, at a French art show in Munich in 1879, convinced Werenskiold of its superiority over the German studio painting. In the spring of 1880, Werenskiold was paralyzed in the right arm. After half a year of hospitalization and recreation in Switzerland at Oberbayern and Tyrol, he finally regained his health. From 1881-83 he lived in Paris. In 1883, Werenskiold returned to Norway where he spent the summers in Telemark. He returned to France in 1884–1885 and studied with Léon Bonnat (1888–89). In the spring of 1895 he made a study trip to Rome and Florence.
He made several paintings of peasants in landscapes. Illustrations for Norwegian fairy tales had interested him since his time in Munich, and he now got the opportunity to illustrate Norwegian fairy tales together with Theodor Kittelsen. He illustrated Norwegian folktales (Norske Folkeeventyr) in 1879 and continued with Adventure Tales for Children (Eventyrbog for Børn. Norske Folkeeventyr) by Asbjørnsen and Moe in three volumes during the period 1882–1887. Werenskiold illustrated a new edition of King's Sagas (kongesagae) from Snorre Sturlason and The Family at Gilje (Familjen paa Gilje) (1903) by Jonas Lie.
His wide range of characterized portraits make up an entire pantheon of famous Norwegians from his lifetime. Werenskiold received the Norwegian national artist's salary from 1908. He was appointed Knight of the Royal Norwegian Order of St. Olav in 1890, Commander 1905, Commander of the 1st class of 1930 and the Grand Cross 1935. He was also Commander of the Order of the Dannebrog. He died at Bærum, in Akershus county, Norway. He was buried at Vår Frelsers gravlund in Oslo.
Read more about this topic: Erik Werenskiold
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