Epitaphs in Music
In a more figurative sense, music in memory of deceased people has been composed. Igor Stravinsky composed in 1958 Epitaphium for flute, clarinet and harp. In 1967 Krzysztof Meyer called his Symphony No. 2 for choir and orchestra Epitaphium Stanisław Wiechowicz in memoriam. Jeffrey Lewis composed Epitaphium — Children of the Sun for narrator, chamber choir, piano, flute, clarinet and percussion. Bronius Kutavičius composed in 1998 Epitaphium temporum pereunti. Valentin Silvestrov composed in 1999 Epitaph L.B. (Епітафія Л.Б.) for viola (or cello) and piano. In 2007 Graham Waterhouse composed Epitaphium for string trio as a tribute to the memory of his father William Waterhouse.
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Famous quotes containing the words epitaphs and/or music:
“Here lies the body of Sir John Guise.
Nobody laughs, and nobody cries;
Where his soul is and how it fares
Nobody knows and nobody cares.”
—Anonymous. From Frobisher’s New Select Collection of Epitaphs (c. 1791)
“Noble and wise men once believed in the music of the spheres: noble and wise men still continue to believe in the “moral significance of existence.” But one day even this sphere-music will no longer be audible to them! They will wake up and take note that their ears were dreaming.”
—Friedrich Nietzsche (1844–1900)