Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| JIVE Magazine | |
| PopMatters | |
| 411mania | |
| Wilson & Alroy | |
The participation of Serj Tankian as well as many other high profile musicians caused a bigger media echo than usual Buckethead solo releases would do.
The Washington Post called the album "an entertaining disc that dabbles in genres ranging from romantic pop to extreme metal" and stated, "The shredder/space alien proves there's more behind the mask than just a quick pick and a side of slaw."
The Washington Post wrote about "street poet" Saul Williams: " confidently counterbalances Hendrixian distortion on ." JIVE Magazine named "We Are One" and "Three Fingers" as being highlights of the album.
Michael Melchor of 411mania stated: "The hip-hop comes into play on 'Three Fingers' and what sounds suspiciously like street poetry by Saul Williams before Buckethead turns up the funk and groove."
Read more about this topic: Enter The Chicken
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)