Career
First living in Argenteuil, he eventually moved to Paris, where he decided to pursue a career in music. At first he tried translating into French the maalouf numbers which he already knew. Later on, he developed a new French repertoire that he performed in cafés and cabarets. He remained, though, a popular interpreter of Arab-Andalusian music and Judeo-Arab songs in France.
He adopted the name Enrico Macias. Enrico comes from him being called "petit Enrico" when he joined Cheikh Raymond's orchestra. Macias comes through an error of the record label with which he eventually signed. When asked about his family name on the phone he said "Nassia" (Ghrenassia), but the receptionist misheard the name and wrote Macias. Thus the name Enrico Macias.
He made his first recording in 1962 after a meeting with Raymond Bernard of Pathé. The result was the recording of "Adieu mon pays" which he had composed for his beloved Algeria on the boat on his way to France. He appeared on French television and became an overnight sensation. This led to a first tour in 1963 as a second act with Paola and Billy Bridge. His daughter, Jocya, was also born that year.
In spring 1964, he performed in the first half of the Les Compagnons de la chanson show at the Paris Olympia and then undertook a successful tour of the Middle East, performing with great success in Israel, Greece and Turkey, especially in the latter where he still has a huge following today. In Turkey, many of his songs were translated and interpreted by Turkish artists. In 1965, he was awarded the Prix Vincent Scotto, and the following year he sang before 120,000 people at the Dinamo Stadium in Moscow, performing concerts in more than 40 other Soviet cities. He also toured Japan, where he was impressively successful. He recorded titles in Spanish and Italian and was popular in both countries.
His American debut, at a sold-out Carnegie Hall, took place on 17 February 1968. He continued to tour the United States, singing in Chicago, Dallas and Los Angeles. In Canada and Quebec, he was warmly welcomed as a francophone artist.
In 1971, he returned to the Paris Olympia, then went to the Royal Albert Hall in London, and back to Japan, Canada, Italy and Spain. A second US tour culminated in a concert at Carnegie Hall in 1972. In 1974, he gave ten shows at the Uris Theater on Broadway, and also at the Olympia for the sixth time since his debut.
He toured France and went twice to Israel in 1976 and 1978. He was invited to Egypt by the Egyptian President Anwar El Sadat to sing for peace. This came after Macias having been banned from Arab countries for many years, despite keeping his popularity with Arab and ethnic audiences in the Middle East and North Africa. In Egypt, he sang in front of 20,000 people at the foot of the Pyramids. After Sadat's assassination, he wrote a song dedicated to the late president entitled "Un berger vient de tomber".
In 1988, he had a big hit with "Zingarella", particularly in Israel and Turkey upon his tour in both countries in addition to South Korea.
In April 1992, he tried acting in a play adapted from English, called Quelle nuit. He also had a role as a local judge in the French TV film Monsieur Molina.
Enrico Macias lost much money through dubious financial services offered by the Luxembourg subsidiary of an Icelandic bank, now under investigation. He is currently trying to recover it. This may be one of the reasons why he came out of retirement.
Read more about this topic: Enrico Macias
Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“Never hug and kiss your children! Mother love may make your childrens infancy unhappy and prevent them from pursuing a career or getting married! Thats total hogwash, of course. But it shows on extreme example of what state-of-the-art scientific parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (17621835)