Styles of English Saddles
The differences between the styles of English saddle are small but significant. The most important distinctions are the location and therefore the balance of the seat, and the flap length and shape. A saddle used for a discipline where the rider sits more upright with a longer leg, such as in dressage, has a flap that is longer to accommodate the leg, and less inclined forward (as the knee does not need to go forward). The seat will also be closer to the withers, to keep the rider's center of gravity in the correct spot. However, in disciplines where the rider needs shorter stirrups for better balance and security, such as in the jumping disciplines, the saddle flap is moved proportionately forward and shortened, and the seat is moved further back. A jumping saddle will have a shorter and more forward flap than a dressage saddle, with the seat slightly more towards the cantle. If the flap was not inclined forward, the rider’s knee would hang over the flap, and the flap would constantly push the leg out of position (usually backward), so that the rider would become unstable and interfere with his horse. If the seat was not moved rearward, the rider would be forced ahead of the saddle over a fence. A racing saddle, where jockeys ride with incredibly short stirrups, will have an extremely forward and short saddle flap (almost more horizontal than vertical), and the seat will be extended well back from the pommel to keep the rider’s center of gravity correctly situated.
Supportive padding in the seat, size and shape of knee rolls and the use of additional blocks behind the leg is also considered when developing a saddle. While a polo saddle is constructed with a minimum of padding so as to allow the polo player great freedom to twist and reach for his shot, a saddle used for jumping or eventing may have more padding to help give the rider support over fences. Another development is the monoflap saddle, in which both the sweat flap and saddle flap are made of lighter weight leather, stitched together around the edges leaving only a passgae point for the girth straps, thus reducing the thickness of leather between the rider and the horse, and giving a closer feel, while still protecting the horse's skin from straps.
Read more about this topic: English Saddle
Famous quotes containing the words styles of, styles and/or english:
“... it is use, and use alone, which leads one of us, tolerably trained to recognize any criterion of grace or any sense of the fitness of things, to tolerate ... the styles of dress to which we are more or less conforming every day of our lives. Fifty years hence they will seem to us as uncultivated as the nose-rings of the Hottentot seem today.”
—Elizabeth Stuart Phelps (1844–1911)
“There are only two styles of portrait painting; the serious and the smirk.”
—Charles Dickens (1812–1870)
“French rhetorical models are too narrow for the English tradition. Most pernicious of French imports is the notion that there is no person behind a text. Is there anything more affected, aggressive, and relentlessly concrete than a Parisan intellectual behind his/her turgid text? The Parisian is a provincial when he pretends to speak for the universe.”
—Camille Paglia (b. 1947)