English National Opera

English National Opera (ENO) is an opera company based in London, resident at the London Coliseum in St. Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera, Covent Garden. ENO's productions are sung in English.

The company's origins were in the late 19th century, when the philanthropist Emma Cons, later assisted by her niece Lilian Baylis, presented theatrical and operatic performances at the Old Vic in a rough area of London for the benefit of local people. From those beginnings, Baylis built up both the opera and the theatre companies, and later added a ballet company; these evolved into the ENO, the Royal National Theatre and the Royal Ballet.

Baylis acquired and rebuilt Sadler's Wells theatre in north London, a larger house, better suited to opera than the Old Vic. The opera company grew there into a permanent ensemble in the 1930s. During the Second World War, the theatre was closed and the company toured British towns and cities. After the war, the company returned to its home, but it continued to expand and improve, and by the 1960s a larger theatre was needed. In 1968, the company moved to the London Coliseum in the heart of London; in 1974 it adopted the name English National Opera (ENO). The company has survived several proposals to merge it with The Royal Opera.

Among the conductors associated with the company have been Colin Davis, Reginald Goodall, Charles Mackerras, Mark Elder and Edward Gardner. ENO is known for its emphasis on the dramatic aspect of opera, with productions, sometimes controversial, by directors including David Pountney, Jonathan Miller, Nicholas Hytner, Phyllida Lloyd and Calixto Bieito. In addition to the core operatic repertoire, ENO has presented a wide range of works, from early operas by Monteverdi to new commissions, operetta and Broadway shows.

Read more about English National Opera:  Repertoire, Recordings, Education, Musical Directors

Famous quotes containing the words english, national and/or opera:

    Where dwells the religion? Tell me first where dwells electricity, or motion, or thought or gesture. They do not dwell or stay at all. Electricity cannot be made fast, mortared up and ended, like London Monument, or the Tower, so that you shall know where to find it, and keep it fixed, as the English do with their things, forevermore; it is passing, glancing, gesticular; it is a traveller, a newness, a surprise, a secret which perplexes them, and puts them out.
    Ralph Waldo Emerson (1803–1882)

    It is no part of the functions of the National Government to find employment for the people, and if we were to appropriate a hundred millions for his purpose, we should only be taxing 40 millions of people to keep a few thousand employed.
    James A. Garfield (1831–1881)

    He rides in the Row at ten o’clock in the morning, goes to the Opera three times a week, changes his clothes at least five times a day, and dines out every night of the season. You don’t call that leading an idle life, do you?
    Oscar Wilde (1854–1900)