Mythology
According to Gerald Casale on the Devo website:
It was designed according to ancient ziggurat mound proportions used in votive worship. Like the mounds it collects energy and recirculates it. In this case the Dome collects energy that escapes from the crown of the human head and pushes it back into the Medula Oblongata for increased mental energy. It's very important that you buy a cheap plastic hardhat liner, adjust it to your head size and affix it with duct tape or Super Glue to the inside of the Dome. This allows the Dome to "float" just above the cranium and thus do its job. Unfortunately, without a hard hat liner, the recirculation of energy WILL NOT occur.
In keeping with Devo's love of facetious "truths", several accounts of the origins of the energy domes exist. According to one, the band took the design for the hats straight out of a Little Lulu comic book. Another story has it that that they were inspired from a passage in the book The Beginning Was the End. Still another involves inspiration from an old art deco lamp from Jerry Casale's collection. Mark Mothersbaugh also liked to refer them as "ziggurat hats" in interviews. Another inspiration for the headgear were lamps from their old high school.
Read more about this topic: Energy Dome
Famous quotes containing the word mythology:
“One memorable addition to the old mythology is due to this era,—the Christian fable. With what pains, and tears, and blood these centuries have woven this and added it to the mythology of mankind! The new Prometheus. With what miraculous consent, and patience, and persistency has this mythus been stamped on the memory of the race! It would seem as if it were in the progress of our mythology to dethrone Jehovah, and crown Christ in his stead.”
—Henry David Thoreau (1817–1862)
“Love, love, love—all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.”
—Germaine Greer (b. 1939)
“Love, love, love—all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.”
—Germaine Greer (b. 1939)