Selected Works in English
- The Divine Imperative (1st German edition 1932; English translation 1937 and 1941)
- Man in Revolt. A Christian Anthropology (1st German edition 1937; English translation 1939 and 1941)
- The Mediator, (The Lutterworth Press, Cambridge 2003)
- Dogmatics (German: 1946, 1950 and 1960; English translation 1949, 1952 and 1962)
- Revelation and Reason. The Christian Doctrine of Faith and Knowledge, (1st German edition 1941, English translation 1946)
- Christianity and Civilisation (1949)
- Dogmatics. Volume I: The Christian Doctrine of God, James Clarke & Co, Cambridge 2003
- Dogmatics. Volume II: The Christian Doctrine of Creation and Redemption, James Clarke & Co, Cambridge 2003
- Dogmatics. Volume III: The Christian Doctrine of the Church, Faith and the Consummation, James Clarke & Co, Cambridge 2003
- The Great Invitation Zurich Sermons, The Lutterworth Press, Cambridge 2003
- I Believe in the Living God. Sermons on the Apostles' Creed, The Lutterworth Press, Cambridge 2004
- Justice and Social Order, The Lutterworth Press, Cambridge 2003
- The Letter to the Romans, The Lutterworth Press, Cambridge 2003
- The Misunderstanding of the Church, The Lutterworth Press, Cambridge 2003
- Christianity and Civilisation. Gifford Lectures Delivered at the University of St Andrews, James Clarke & Co, Cambridge 2009
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Famous quotes containing the words selected, works and/or english:
“The final flat of the hoe’s approval stamp
Is reserved for the bed of a few selected seed.”
—Robert Frost (1874–1963)
“They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
—Henry David Thoreau (1817–1862)
“To write or even speak English is not a science but an art. There are no reliable words.... Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up.”
—George Orwell (1903–1950)