Schikaneder and Beethoven
Ludwig van Beethoven had moved to Vienna in 1792 and gradually established a strong reputation as a composer and pianist. He performed in an Academie at the Theater auf der Wieden during its last years. In the spring of 1803, the first Academie at the new Theater an der Wien was devoted entirely to Beethoven's works: the first and second symphonies, the third piano concerto (with Beethoven as soloist), and the oratorio Christ on the Mount of Olives.
Schikaneder wanted Beethoven to compose an opera for him. After offering Beethoven an apartment to live in inside the theater building, he also offered his libretto, Vestas Feuer. Beethoven, however, found Vestas Feuer unsuited to his needs. Regardless, he did set two numbers: one of which ultimately became the duet "O namenlose Freude" that concludes act 2, scene 1, of his 1804 opera Fidelio. Beethoven continued to live in the Theater an der Wien for a while as he switched his efforts to Fidelio.
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Famous quotes containing the word beethoven:
“Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each represents a moment of the ideal life, each does us good. Our love is due to both.”
—Henri-Frédéric Amiel (1821–1881)