Ella Fitzgerald Sings the Cole Porter Songbook is a 1956 studio album by American jazz singer Ella Fitzgerald, accompanied by a studio orchestra conducted and arranged by Buddy Bregman, focusing on the songs of Cole Porter.
This was Fitzgerald's first album for the newly created Verve Records. Fitzgerald's time on the Verve label would see her produce her most highly acclaimed recordings, at the peak of her vocal powers. This album inaugurated Fitzgerald's Songbook series, each of the eight albums in the series focusing on a different composer of the canon known as the Great American Songbook. Fitzgerald's manager, (and the producer of many of her albums), Norman Granz, visited Cole Porter at the Waldolf-Astoria, and played him this entire album. Afterwards, Porter merely remarked, "My, what marvellous diction that girl has".
This album was inducted into the Grammy Hall of Fame in 2000, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance." In 2003, it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry.
Read more about Ella Fitzgerald Sings The Cole Porter Songbook: Track Listing, Personnel
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“I don’t want to live—I want to love first, and live incidentally.”
—Zelda Fitzgerald (1900–1948)
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)
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Cole Thornton: There’s a fourth.
McLeod: Which one are you?
Thornton: I’m Thornton.”
—Leigh Brackett (1915–1978)
“All the world loves a clown.”
—Cole Porter (1893–1964)