Absorbing of Gothic
Nevertheless, in the Elizabethan the Gothic is never quite forgotten. Its vertical lines are always breaking through the horizontal of the invading classic; its reverend monsters look with special unkindness on the fantasticism of the new monsters that Cellini described as the promiscuous breed of animals and flowers; its ornaments insist upon their right before the Grecian; in architecture its gables still rise, although with a skyline gnawed out by the scrolls as worms gnaw out the sides of a leaf; and in furniture its cove surmounts the tops of those cabinets whose fronts are the facades of temples. The steadfast English mind clung to the old order of things, and relinquished with reluctance the last relics of a style that had been for centuries a part of its life. If it must have the egg and dart, it would keep the Tudor flower too. Thus all the Renaissance that came into England, after the bloody Wars of the Roses made it possible to think of art and luxury, paid toll to the Gothic on the way, and the result was a singular miscellany, for its Gothic had now forgotten, and its Renaissance had never known why it had existed. It is rather the talent with which the medley of material was handled, the broad masses, yet curious elaboration, and the scale of magnificence, that give the style its charm rather than anything in its original and bastard composition.
Read more about this topic: Elizabethan And Jacobean Furniture
Famous quotes containing the words absorbing and/or gothic:
“...feminism never harmed anybody unless it was some feminists. The danger is that the study and contemplation of “ourselves” may become so absorbing that it builds by slow degrees a high wall that shuts out the great world of thought.”
—Rheta Childe Dorr (1866–1948)
“A Gothic cathedral affirms that it was done by us and not done by us.”
—Ralph Waldo Emerson (1803–1882)