Eli Mandel - Biography

Biography

Ten years prior to his death, Eli Mandel’s passing would have been significant news; however, because of a series of strokes that left him unable to write, Mandel had long since gone unrecognized.

He was born Elias Wolf Mandel in Estevan, Saskatchewan, Canada to Russian Jewish parents who had emigrated from the Ukraine, and grew up the Canadian prairies during the Great Depression. After a job working for a pharmacist who, landed him a position serving in Canada's Medical Corps during World War II, it has been said Mandel returned a forever emotionally distraught man who was destined to live the rest of his life without a sense of belonging. This helps explain the alienation that is illustrated throughout his writings.

He studied English at the University of Saskatchewan attaining a Master of Arts degree in 1950. His further studies at the University of Toronto earned him a PhD in 1957.

Mandel taught English and creative writing at the University of Alberta, University of Victoria, University of Toronto, and York University. He also taught Canadian studies at the University of Calgary.

Besides his poetry, he wrote other works such as his 1969 essay on fellow poet Irving Layton.

He was married to his first wife, Miriam Mandel for 18 years. The couple had two children, Evie and Charles. In 1967 he divorced her and married Ann Hardy; they had one child, Sara.

Publishing poetry in the early 1950s, Eli Mandel’s first significant collection was entitled Minotaur poems (1954), and it appeared in the contact press anthology Trio (1954).

His poetry was published in 1954 in Trio, an anthology of poems by Mandel, Gael Turnbull, and Phyllis Webb published by Raymond Souster's Contact Press.

His first book was Fuseli poems (1960).

His works seem to have been deeply influenced by World War II, especially all the horrors of the Jewish concentration camps. Despite the lack of direct references to the war until Stony Plain (1973), his work illustrates many grim and morbid images of despair, destruction written with a tone of inescapable pessimism.

Mandel’s style was contemplative and intellectual - "an ironic poet, rather than an angry one".

He deliberately lacks emotion in his work, which heightens his desired hopeless outlook.

This is a central feature in all of his collected works. Being exceptionally literarily complex, his early works appear not to have been written for "a scholarly rather than public audience". However, later, starting with the poetry of Black and secret man (1964), Mandel simplifies the syntax and uses more colloquial language. While the thoughtful view remained as it was in his earlier work, a wittier tone replaced the previously somber one. Mandel, also being an active critic and editor, published a monograph on his fellow-poet Irving Layton and in his first anthology, Poetry62/Poésie62(1962) which he co-edited with Jean-Guy Pilon. Additionally, he championed many otherwise unnoticed newcomers of the 1950s such as Al Purdy, Milton Acorn, D.G. Jones and Alden Nowlan.