Elephants Can Remember - Literary Significance and Reception

Literary Significance and Reception

Maurice Richardson in The Observer of November 5, 1972 said, "A quiet but consistently interesting whodunnit with ingenious monozygotic solution. Any young elephant would be proud to have written it."

Robert Barnard: "Another murder-in-the-past case, with nobody able to remember anything clearly, including, alas, the author. At one time we are told that General Ravenscroft and his wife (the dead pair) were respectively sixty and thirty-five; later we are told he had fallen in love with his wife's twin sister 'as a young man'. The murder/suicide is once said to have taken place ten to twelve years before, elsewhere fifteen, or twenty. Acres of meandering conversations, hundreds of speeches beginning with 'Well, …' That sort of thing may happen in life, but one doesn't want to read it."

Elephants Can Remember has been criticized as of lower quality than the bulk of Christie's output. According to The Cambridge Guide to Women's Writing in English, this novel is one of the "execrable last novels" where Christie "loses her grip altogether".

Elephants Can Remember was cited in a study done in 2009 using computer science to compare Christie's earlier works to her later ones. The sharp drops in vocabulary size and increases in repeated phrases and indefinite nouns suggested Christie may have been suffering from Alzheimer's disease. The subject of the book being about memory may be another clue.

Read more about this topic:  Elephants Can Remember

Famous quotes containing the words literary, significance and/or reception:

    There was a literary gentleman present who who had dramatised in his time two hundred and forty-seven novels as fast as they had come out—and who was a literary gentleman in consequence.
    Charles Dickens (1812–1870)

    The hysterical find too much significance in things. The depressed find too little.
    Mason Cooley (b. 1927)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)