Recording Artists
For nearly two decades the Olson Sisters entertained Chautauqua and Lyceum audiences with a combination of music and comedy. Although their material included Norwegian songs and stories, their programs were typically aimed at mainstream audiences. Ethel might, for instance, sing Home, Sweet Home or recite An Old Sweetheart Of Mine by James Whitcomb Riley.
Things changed when Eleonora and Ethel began making records. On Victor, Edison, Brunswick and Columbia Records they were marketed as Norwegian-American artists and their comic monologues emphasized. Between 1918 and 1923 the sisters recorded sixteen sides as vocalists and thirty-five sides as speakers. Many titles appeared on more than one record label. The Old Sogning Woman and Mabel's Wedding were each released as two sides of a 78 rpm disc.
In 1920 Ethel Olson recorded two monologues for Edison Records that were paired with stories by the famed humorist Cal Stewart. The Chautauqua At Punkin Center by Stewart was backed by Ethel's Laughing Girl Has Her Picture Took. Uncle Josh And The Sailor by Stewart was backed by Ethel's The Larson Kids Go Bathing.
Eleonora Olson recorded A Perfect Day for Edison Records in 1920. She also recorded Norwegian versions of three popular hymns for Victor: Bliv Hos Mig, Mester (Abide With Me), Jeg Trænger Dig Hver Stund (I Need Thee Every Hour) and Engang Min Livstraad Briste Skal (Saved By Grace).
Read more about this topic: Eleonora And Ethel Olson
Famous quotes containing the words recording and/or artists:
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)
“If the artist is not also a craftsman, the artist is nothing, but calamity: most of our artists are nothing but craftsmen.”
—Johann Wolfgang Von Goethe (1749–1832)