Elegiac - Classical Poets

Classical Poets

The first examples of elegiac poetry in writing come from classical Greece. The form dates back nearly as early as epic, with such authors as Archilocus and Simonides of Ceos from early in the history of Greece. The first great elegiac poet of the Hellenistic period was Philitas of Cos: Augustan poets identified his name with great elegiac writing. One of the most influential elegiac writers was Philitas' rival Callimachus, who had an enormous impact on Roman poets, both elegists and non-elegists alike. He promulgated the idea that elegy, shorter and more compact than epic, could be even more beautiful and worthy of appreciation. Propertius linked him to his rival with the following well-known couplet:

Callimachi Manes et Coi sacra Philetae,
in vestrum, quaeso, me sinite ire nemus.

Callimachus' spirit, and shrine of Philitas of Cos,
 let me enter your sacred grove, I beseech you.

The 1st century AD rhetorician Quintilian ranked Philitas second only to Callimachus among the elegiac poets.

The foremost elegiac writers of the Roman era were Catullus, Propertius, Tibullus, and Ovid. Catullus, a generation earlier than the other three, influenced his younger counterparts greatly. They all, particularly Propertius, drew influence from Callimachus, and they also clearly read each other and responded to each other's works. Notably, Catullus and Ovid wrote in non-elegiac meters as well, but Propertius and Tibullus did not.

Read more about this topic:  Elegiac

Famous quotes containing the words classical and/or poets:

    Culture is a sham if it is only a sort of Gothic front put on an iron building—like Tower Bridge—or a classical front put on a steel frame—like the Daily Telegraph building in Fleet Street. Culture, if it is to be a real thing and a holy thing, must be the product of what we actually do for a living—not something added, like sugar on a pill.
    Eric Gill (1882–1940)

    The use of symbols has a certain power of emancipation and exhilaration for all men. We seem to be touched by a wand, which makes us dance and run about happily, like children. We are like persons who come out of a cave or cellar into the open air. This is the effect on us of tropes, fables, oracles, and all poetic forms. Poets are thus liberating gods.
    Ralph Waldo Emerson (1803–1882)