Electronic Video Recording

Electronic Video Recording, or EVR, was a film-based video recording format developed by Hungarian-born engineer Peter Carl Goldmark at CBS Laboratories in the 1960s.

CBS announced EVR in October 1967. The 750-foot film was stored on a 7-inch-diameter (180 mm) spool in a plastic cartridge. It used a twin-track 8.75 mm film onto which video signals were transferred by electron beam recording, one monochrome track in each direction of travel.

Some EVR films had a separate chroma track in place of the opposite-direction monochrome track for color EVR films. The images stored on an EVR film were visible frames much like motion picture film, and were read by a flying spot scanner inside an EVR player to be converted to a video signal to be sent to a television set.

EVR was also released by CBS as a professional version for television broadcasting, called BEVR (Broadcast EVR). As a professional medium, the format offered extremely high quality. It was, however, quickly superseded by professional and consumer magnetic tape formats.

Famous quotes containing the words electronic, video and/or recording:

    Ideally, advertising aims at the goal of a programmed harmony among all human impulses and aspirations and endeavors. Using handicraft methods, it stretches out toward the ultimate electronic goal of a collective consciousness.
    Marshall McLuhan (1911–1980)

    It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.
    Marie Winn (20th century)

    Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.
    Jane Heap (c. 1880–1964)