Tape Music
See also: Musique concrèteThe work of Halim El-Dabh is perhaps the earliest example of tape music. El-Dabh's The Expression of Zaar, first presented in Cairo, Egypt, in 1944, was an early work using musique concrète–like techniques similar to those developed in Paris during the same period. El-Dabh would later become more famous for his work at the Columbia-Princeton Electronic Music Center, where in 1959 he composed the influential piece Leiyla and the Poet (Holmes 2008, 153–54 & 157).
US composer John Cage's assembly of the Williams Mix serves as an example of the rigors of tape music. First, Cage created a 192-page score. Over the course of a year, 600 sounds were assembled and recorded. Cut tape segments for each occurrence of each sound were accumulated on the score. Then the cut segments were spliced to one of eight tapes, work finished on January 16, 1953. The premiere performance (realization) of the 4'15" work was given on March 21, 1953 at the University of Illinois, Urbana (Chaudron n.d.).
Read more about this topic: Electroacoustic Music
Famous quotes containing the words tape and/or music:
“We shall see but little way if we require to understand what we see. How few things can a man measure with the tape of his understanding! How many greater things might he be seeing in the meanwhile!”
—Henry David Thoreau (1817–1862)
“The first condition for making music is not to make a noise.”
—José Bergamín (1895–1983)