Culture
Mestizo culture dominates the country, heavy in both Native American Indigenous and European Spanish influences. A new composite population was formed as a result of intermarrying between the native Mesoamerican population of Cuzcatlán with the European settlers. The Catholic Church plays an important role in the Salvadoran culture. Archbishop Óscar Romero is a national hero for his role in resisting human rights violations that were occurring in the lead-up to the Salvadoran Civil War. Significant foreign personalities in El Salvador were the Jesuit priests and professors Ignacio Ellacuria, Ignacio Martín-Baró, and Segundo Montes, who were murdered in 1989 by the Salvadoran Army during the height of the civil war.
Painting, ceramics and textiles are the principal manual artistic mediums. Writers Francisco Gavidia (1863–1955), Salarrué (Salvador Salazar Arrué) (1899–1975), Claudia Lars, Alfredo Espino, Pedro Geoffroy Rivas, Manlio Argueta, José Roberto Cea, and poet Roque Dalton are among the most important writers from El Salvador. Notable 20th century personages include the late filmmaker Baltasar Polio, female film director Patricia Chica, artist Fernando Llort, and caricaturist Toño Salazar.
Amongst the more renowned representatives of the graphic arts are the painters Augusto Crespin, Noe Canjura, Carlos Cañas, Julia Díaz, Mauricio Mejia, Maria Elena Palomo de Mejia, Camilo Minero, Ricardo Carbonell, Roberto Huezo, Miguel Angel Cerna, (the painter and writer better known as MACLo), Esael Araujo, and many others. For more information on prominent citizens of El Salvador, check the List of Salvadorans.
Read more about this topic: El Salvador
Famous quotes containing the word culture:
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)
“... there are some who, believing that all is for the best in the best of possible worlds, and that to-morrow is necessarily better than to-day, may think that if culture is a good thing we shall infallibly be found to have more of it that we had a generation since; and that if we can be shown not to have more of it, it can be shown not to be worth seeking.”
—Katharine Fullerton Gerould (1879–1944)
“I am writing to resist the view that Europe and civilization are going to Hell. If I am being “crucified for an idea”Mthat is, the coherent idea around which my muddles accumulated—it is probably the idea that European culture ought to survive, that the best qualities of it ought to survive along with whatever cultures, in whatever universality. Against the propaganda of terror and the propaganda of luxury, have you a nice simple answer?”
—Ezra Pound (1885–1972)