Culture
Mestizo culture dominates the country, heavy in both Native American Indigenous and European Spanish influences. A new composite population was formed as a result of intermarrying between the native Mesoamerican population of Cuzcatlán with the European settlers. The Catholic Church plays an important role in the Salvadoran culture. Archbishop Óscar Romero is a national hero for his role in resisting human rights violations that were occurring in the lead-up to the Salvadoran Civil War. Significant foreign personalities in El Salvador were the Jesuit priests and professors Ignacio Ellacuria, Ignacio Martín-Baró, and Segundo Montes, who were murdered in 1989 by the Salvadoran Army during the height of the civil war.
Painting, ceramics and textiles are the principal manual artistic mediums. Writers Francisco Gavidia (1863–1955), Salarrué (Salvador Salazar Arrué) (1899–1975), Claudia Lars, Alfredo Espino, Pedro Geoffroy Rivas, Manlio Argueta, José Roberto Cea, and poet Roque Dalton are among the most important writers from El Salvador. Notable 20th century personages include the late filmmaker Baltasar Polio, female film director Patricia Chica, artist Fernando Llort, and caricaturist Toño Salazar.
Amongst the more renowned representatives of the graphic arts are the painters Augusto Crespin, Noe Canjura, Carlos Cañas, Julia Díaz, Mauricio Mejia, Maria Elena Palomo de Mejia, Camilo Minero, Ricardo Carbonell, Roberto Huezo, Miguel Angel Cerna, (the painter and writer better known as MACLo), Esael Araujo, and many others. For more information on prominent citizens of El Salvador, check the List of Salvadorans.
Read more about this topic: El Salvador
Famous quotes containing the word culture:
“As the twentieth century ends, commerce and culture are coming closer together. The distinction between life and art has been eroded by fifty years of enhanced communications, ever-improving reproduction technologies and increasing wealth.”
—Stephen Bayley (b. 1951)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)
“... weve allowed a youth-centered culture to leave us so estranged from our future selves that, when asked about the years beyond fifty, sixty, or seventyall part of the average human life span providing we can escape hunger, violence, and other epidemicsmany people can see only a blank screen, or one on which they project fear of disease and democracy.”
—Gloria Steinem (b. 1934)