Culture
Mestizo culture dominates the country, heavy in both Native American Indigenous and European Spanish influences. A new composite population was formed as a result of intermarrying between the native Mesoamerican population of Cuzcatlán with the European settlers. The Catholic Church plays an important role in the Salvadoran culture. Archbishop Óscar Romero is a national hero for his role in resisting human rights violations that were occurring in the lead-up to the Salvadoran Civil War. Significant foreign personalities in El Salvador were the Jesuit priests and professors Ignacio Ellacuria, Ignacio Martín-Baró, and Segundo Montes, who were murdered in 1989 by the Salvadoran Army during the height of the civil war.
Painting, ceramics and textiles are the principal manual artistic mediums. Writers Francisco Gavidia (1863–1955), Salarrué (Salvador Salazar Arrué) (1899–1975), Claudia Lars, Alfredo Espino, Pedro Geoffroy Rivas, Manlio Argueta, José Roberto Cea, and poet Roque Dalton are among the most important writers from El Salvador. Notable 20th century personages include the late filmmaker Baltasar Polio, female film director Patricia Chica, artist Fernando Llort, and caricaturist Toño Salazar.
Amongst the more renowned representatives of the graphic arts are the painters Augusto Crespin, Noe Canjura, Carlos Cañas, Julia Díaz, Mauricio Mejia, Maria Elena Palomo de Mejia, Camilo Minero, Ricardo Carbonell, Roberto Huezo, Miguel Angel Cerna, (the painter and writer better known as MACLo), Esael Araujo, and many others. For more information on prominent citizens of El Salvador, check the List of Salvadorans.
Read more about this topic: El Salvador
Famous quotes containing the word culture:
“The local is a shabby thing. There’s nothing worse than bringing us back down to our own little corner, our own territory, the radiant promiscuity of the face to face. A culture which has taken the risk of the universal, must perish by the universal.”
—Jean Baudrillard (b. 1929)
“Our culture has become something that is completely and utterly in love with its parent. It’s become a notion of boredom that is bought and sold, where nothing will happen except that people will become more and more terrified of tomorrow, because the new continues to look old, and the old will always look cute.”
—Malcolm McLaren (b. 1946)
“Why is it so difficult to see the lesbian—even when she is there, quite plainly, in front of us? In part because she has been “ghosted”Mor made to seem invisible—by culture itself.... Once the lesbian has been defined as ghostly—the better to drain her of any sensual or moral authority—she can then be exorcised.”
—Terry Castle, U.S. lesbian author. The Apparitional Lesbian, ch. 1 (1993)