Development
The characters weren't very fleshed out originally, but as Chespirito began writing new sketches for the hourlong show, some of which lasted the entire hour, their backstories became more expanded. Botija was single at first, but got married very quickly to a woman called Chimoltrufia (Florinda Meza) who had moplike hair, a chipped tooth and constantly chewed a piece of gum. She was soon established as the conscience of the sketches; often she would earn money doing a respectable job, usually cleaning or babysitting. Many episodes didn't have to do with Chompiras's and Botija's incompetent burgling but instead focused on life in Chimoltrufia and Botija's tiny apartment. A neighbor named Doña Nachita (Angelines Fernández) started appearing frequently and eventually became a regular. Policemen were a regular feature in Caquitos sketches, but by THE mid 1980s, Rubén Aguirre became the sketch's definitive policeman, the dimwitted Sgt. Refugio. Around this time there were many sketches that took place at the police station as the characters tried to argue their innocence after being arrested; presiding over these cases was a judge played by Raúl Padilla, who was eventually named Licenciado Morales.
By the late 1980s, "Chespirito" started shifting away from "Chavo" and "Chapulín" sketches, as Chespirito and the others were getting older and less believable in those roles. The focus went to Los Caquitos, prompting a major change. Inspired by an episode of "El Chavo", in which Chavo is wrongly accused of stealing, Botija and Chompiras vow to never steal again and get honest jobs. They and Chimoltrufia eventually settle into jobs at the inexpensive Hotel Lucho, run by Don Lucho (Carlos Pouliot). Chimoltrufia was a chambermaid and always did her job to the best of her ability, but Botija and Chompiras tried to get by doing as little work as possible.
Read more about this topic: El Chompiras
Famous quotes containing the word development:
“The Cairo conference ... is about a complicated web of education and employment, consumption and poverty, development and health care. It is also about whether governments will follow where women have so clearly led them, toward safe, simple and reliable choices in family planning. While Cairo crackles with conflict, in the homes of the world the orthodoxies have been duly heard, and roundly ignored.”
—Anna Quindlen (b. 1952)
“And then ... he flung open the door of my compartment, and ushered in Ma young and lovely lady! I muttered to myself with some bitterness. And this is, of course, the opening scene of Vol. I. She is the Heroine. And I am one of those subordinate characters that only turn up when needed for the development of her destiny, and whose final appearance is outside the church, waiting to greet the Happy Pair!”
—Lewis Carroll [Charles Lutwidge Dodgson] (18321898)
“If you complain of people being shot down in the streets, of the absence of communication or social responsibility, of the rise of everyday violence which people have become accustomed to, and the dehumanization of feelings, then the ultimate development on an organized social level is the concentration camp.... The concentration camp is the final expression of human separateness and its ultimate consequence. It is organized abandonment.”
—Arthur Miller (b. 1915)