Production
With the commercial success of their hit single "Spoon" (which reached #6 on the German charts and sold 300,000 copies), Can was able to hire a large ex-cinema which they used as a part-working, part-living space. However, things nearly didn't work out as guitarist Michael Karoli recalled that the sessions were "frustrated by keyboardist Irmin Schmidt and vocalist Damo Suzuki's playing chess obsessively day in, day out" and that "completing recording became a frantic process, with some tracks having to be recorded practically in real time and the single "Spoon" added to make up for a shortfall in material."
Ege Bamyası was recorded by Czukay in the Inner Space studio at Weilerswist, a town near Cologne. It was originally released in 1972 by United Artists. In September 2004, the album, along with the majority of Can's discography, was remastered and released as a hybrid SACD. The re-release includes a booklet with commentary on the album by David Stubbs, as well as previously unreleased photos of the band.
Read more about this topic: Ege Bamyasi
Famous quotes containing the word production:
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)