Edwin Brock - Professional Life

Professional Life

Gradually Brock started to be published, firstly in the smaller magazines and eventually in the Times Literary Supplement. During this period, Brock served as a police officer in the Metropolitan force, the unusual combination of policeman and poet giving rise to a brief period of fame when a tabloid journalist published an interview with Brock under the banner headline: "THE THINGS HE THINKS UP AS HE POUNDS THE PECKHAM BEAT". Brock was embarrassed by the sudden attention, but he continued to pursue his writing with serious intent. His efforts bore fruit when his first collection was accepted by the small but prestigious Scorpion Press in 1959. Its title, An Attempt at Exorcism, touches on the essentially personal nature of Brock's work, the frankness of which connects him to the Confessional Movement which at that time was in the ascendancy in the United States. Indeed, Brock is one of the few British poets of this period to be known in America, with New Directions publishing several of his collections.

Brock left the police to become an advertising copywriter, a profession which he claimed to despise, but in which he became very successful creating the famous strapline for the UK Financial Times newspaper of 'No FT. No comment'. Brock resented the way work distracted him from his real creative life in poetry, but he continued to write alongside his career, publishing over a dozen collections and becoming increasingly prolific toward the end of his life. He was also editor of the poetry magazine, Ambit, for almost four decades. In 1966 his status was recognised by his inclusion in the influential Penguin Modern Poets series together with Geoffrey Hill and Stevie Smith.

Read more about this topic:  Edwin Brock

Famous quotes containing the words professional and/or life:

    Three words that still have meaning, that I think we can apply to all professional writing, are discovery, originality, invention. The professional writer discovers some aspect of the world and invents out of the speech of his time some particularly apt and original way of putting it down on paper.
    John Dos Passos (1896–1970)

    If youth is the period of hero-worship, so also is it true that hero-worship, more than anything else, perhaps, gives one the sense of youth. To admire, to expand one’s self, to forget the rut, to have a sense of newness and life and hope, is to feel young at any time of life.
    Charles Horton Cooley (1864–1929)