Career
In 1951-52, Purdom appeared in small roles with the Laurence Olivier/Vivien Leigh company on Broadway in Shakespeare's Antony and Cleopatra and Shaw's Caesar and Cleopatra when his good looks brought him to the attention of Hollywood. His appearance in small roles in Titanic and Julius Caesar led to his being cast in the leading role opposite Ann Blyth in the MGM musical The Student Prince in 1954, a part originally intended for Mario Lanza, whose disagreement with director Curtis Bernhardt over the way a certain song was to be sung had led to his dismissal by MGM. (The film was subsequently directed by Richard Thorpe.) Purdom lip-synched to Lanza's singing voice.
His other best-remembered role was as the title character in The Egyptian, 20th Century-Fox's most lavish production of 1954. In the same year, he appeared in another MGM musical, Athena, opposite his future wife Linda Christian, Jane Powell and Debbie Reynolds. He then played the title role in the biblical epic The Prodigal, MGM's most lavish production of 1955. He partnered with Ann Blyth again in The King's Thief (1955). After that, his career as a major film star ran out of steam, with the exception of some rare cameo appearances, such as The Yellow Rolls-Royce in 1964.
On television he starred as Marco del Monte in Sword of Freedom (1958), a swashbuckler made for ITC Entertainment.
Read more about this topic: Edmund Purdom
Famous quotes containing the word career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)