Edgar Allan Poe in Television and Film

Edgar Allan Poe In Television And Film

American poet and short story writer Edgar Allan Poe has had significant influence in television and film. Many are adaptations of Poe's work, others merely reference it.

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Famous quotes containing the words edgar allan poe, edgar allan, edgar, allan, poe, television and/or film:

    We now demand the light artillery of the intellect; we need the curt, the condensed, the pointed, the readily diffused—in place of the verbose, the detailed, the voluminous, the inaccessible. On the other hand, the lightness of the artillery should not degenerate into pop-gunnery—by which term we may designate the character of the greater portion of the newspaper press—their sole legitimate object being the discussion of ephemeral matters in an ephemeral manner.
    Edgar Allan Poe (1809–1845)

    Some sepulcher, remote, alone,
    Against whose portal she hath thrown,
    In childhood, many an idle stone—
    Some tomb from out whose sounding door
    She ne’er shall force an echo more,
    Thrilling to think, poor child of sin!
    It was the dead who groaned within.
    Edgar Allan Poe (1809–1849)

    Fate, or some mysterious force, can put the finger on you or me, for no good reason at all.
    Martin Goldsmith, and Edgar G. Ulmer. Al Roberts (Tom Neal)

    How much more intense is the excitement wrought in the feelings of a crowd by the contemplation of human agony, than that brought about by the most appalling spectacles of inanimate matter.
    —Edgar Allan Poe (1809–1849)

    Helen, thy beauty is to me
    Like those Nicean barks of yore,
    —Edgar Allan Poe (1809–1849)

    Cultural expectations shade and color the images that parents- to-be form. The baby product ads, showing a woman serenely holding her child, looking blissfully and mysteriously contented, or the television parents, wisely and humorously solving problems, influence parents-to-be.
    Ellen Galinsky (20th century)

    If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.
    Salman Rushdie (b. 1948)