Edgar Allan Poe In Television And Film
American poet and short story writer Edgar Allan Poe has had significant influence in television and film. Many are adaptations of Poe's work, others merely reference it.
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Famous quotes containing the words edgar allan poe, edgar allan, edgar, allan, poe, television and/or film:
“During these fits of absolute unconsciousness I drank, God only knows how often or how much. As a matter of course, my enemies referred the insanity to the drink rather than the drink to the insanity. I had indeed, nearly abandoned all hope of a permanent cure when I found one in the death of my wife.”
—Edgar Allan Poe (18091849)
“The next work of Carlyle will be entitled Bow-Wow, and the title-page will have a motto from the opening chapter of the Koran: There is no error in this Book.”
—Edgar Allan Poe (18091845)
“The black cat does not die. Those same books, if I am not mistaken, teach that the black cat is deathless. Deathless as evil. It is the origin of the common superstition of the cat with nine lives.”
—Peter Ruric, and Edgar G. Ulmer. Edgar G. Ulmer. Hjalmar Poelzig (Boris Karloff)
“On desperate seas long wont to roam,
The hyacinth hair, thy classic face,
Thy Naiad airs have brought me home
To the glory that was Greece,
And the grandeur that was Rome.”
—Edgar Allan Poe (18091849)
“Romance, who loves to nod and sing,
With drowsy head and folded wing,”
—Edgar Allan Poe (18091849)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . todays children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)
“[Film noir] experiences periodic rebirth and rediscovery. Whenever we have any moment of deep societal rift or disruption in America, one of the ways we can express it is through the ideas and behavior in film noir.”
—John Briley (b. 1925)