Edgar Allan Poe In Television And Film
American poet and short story writer Edgar Allan Poe has had significant influence in television and film. Many are adaptations of Poe's work, others merely reference it.
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Famous quotes containing the words edgar allan poe, edgar allan, edgar, allan, poe, television and/or film:
“You need not attempt to shake off or to banter off Romance. It is an evil you will never get rid of to the end of your days. It is a part of yourself ... of your soul. Age will only mellow it a little, and give it a holier tone.”
—Edgar Allan Poe (1809–1849)
“There is something in the unselfish and self-sacrificing love of a brute, which goes directly to the heart of him who has had frequent occasion to test the paltry friendship and gossamer fidelity of mere Man.”
—Edgar Allan Poe (1809–1845)
“That’s life. Whichever way you turn, fate sticks out a foot to trip you.”
—Martin Goldsmith, and Edgar G. Ulmer. Al Roberts (Tom Neal)
“How much more intense is the excitement wrought in the feelings of a crowd by the contemplation of human agony, than that brought about by the most appalling spectacles of inanimate matter.”
—Edgar Allan Poe (1809–1849)
“The want of an international Copy-Right Law, by rendering it nearly impossible to obtain anything from the booksellers in the way of remuneration for literary labor, has had the effect of forcing many of our very best writers into the service of the Magazines and Reviews.”
—Edgar Allan Poe (1809–1849)
“His [O.J. Simpson’s] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
—Anna Quindlen (b. 1952)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)