Edgar Allan Poe in Popular Culture

Edgar Allan Poe In Popular Culture

Edgar Allan Poe has appeared in popular culture as a character in books, comics, film, and other media. Besides his works, the legend of Poe himself has fascinated people for generations. His appearances in popular culture often envision him as a sort of "mad genius" or "tormented artist," exploiting his personal struggles. Many depictions of Poe interweave with his works, in part due to Poe's frequent use of first-person narrators, suggesting an assumption that Poe and his characters are identical.

This article focuses specifically on the historical Edgar Allan Poe making appearances in fiction, television, and film.

Read more about Edgar Allan Poe In Popular Culture:  Comics, Fiction, Film, Theatre, Audio Theater/Radio Theater, Television

Famous quotes containing the words edgar allan poe, popular culture, edgar allan, edgar, allan, poe, popular and/or culture:

    We have ... a thirst unquenchable, to allay which he has not shown us the crystal springs. This thirst belongs to the immortality of Man.... It is no mere appreciation of the Beauty before us—but a wild effort to reach the Beauty above.
    Edgar Allan Poe (1809–1849)

    Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.
    Adrienne Rich (b. 1929)

    No sooner had I glanced at this letter, than I concluded it to be that of which I was in search. To be sure, it was, to all appearance, radically different from the one of which the Prefect had read us so minute a description.... But, then, the radicalness of these differences ... these things ... were strongly corroborative of suspicion.
    Edgar Allan Poe (1809–1849)

    If there was ever a dissenter from the national optimism ... it was surely Edgar Allan Poe—without question the bravest and most original, if perhaps also the least orderly and judicious, of all the critics that we have produced.
    —H.L. (Henry Lewis)

    Mournful and never-ending remembrance.
    —Edgar Allan Poe (1809–1845)

    Science! true daughter of old Time thou art!
    Who alterest all things with thy peering eyes.
    Why preyest thou thus upon the poet’s heart,
    Vulture, whose wings are dull realities?
    How should he love thee—or how deem thee wise
    Who woulds’t not leave him in his wandering,
    —Edgar Allan Poe (1809–1849)

    For the people in government, rather than the people who pester it, Washington is an early-rising, hard-working city. It is a popular delusion that the government wastes vast amounts of money through inefficiency and sloth. Enormous effort and elaborate planning are required to waste this much money.
    —P.J. (Patrick Jake)

    Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.
    Lionel Trilling (1905–1975)