Edgar Allan Poe In Popular Culture
Edgar Allan Poe has appeared in popular culture as a character in books, comics, film, and other media. Besides his works, the legend of Poe himself has fascinated people for generations. His appearances in popular culture often envision him as a sort of "mad genius" or "tormented artist," exploiting his personal struggles. Many depictions of Poe interweave with his works, in part due to Poe's frequent use of first-person narrators, suggesting an assumption that Poe and his characters are identical.
This article focuses specifically on the historical Edgar Allan Poe making appearances in fiction, television, and film.
Read more about Edgar Allan Poe In Popular Culture: Comics, Fiction, Film, Theatre, Audio Theater/Radio Theater, Television
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“The waves have now a redder glow—
The hours are breathing faint and low—
And when, amid no earthly moans,
Down, down that town shall settle hence,
Hell, rising from a thousand thrones,
Shall do it reverence.”
—Edgar Allan Poe (1809–1849)
“While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,”
—Edgar Allan Poe (1809–1849)
“All my humor is based upon destruction and despair. If the whole world were tranquil, without disease and violence, I’d be standing on the breadline right in back of J. Edgar Hoover.”
—Lenny Bruce (1925–1966)
“As the strong man exults in his physical ability, delighting in such exercises as call his muscles into action, so glories the analyst in that moral activity which disentangles.”
—Edgar Allan Poe (1809–1845)
“The prince had provided all the appliances of pleasure ...: buffoons,... improvisatori,... ballet-dancers,... musicians,... Beauty,... wine. All these and security were within. Without was the “Red Death.””
—Edgar Allan Poe (1809–1849)
“We live under continual threat of two equally fearful, but seemingly opposed, destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.”
—Susan Sontag (b. 1933)
“Why is it so difficult to see the lesbian—even when she is there, quite plainly, in front of us? In part because she has been “ghosted”Mor made to seem invisible—by culture itself.... Once the lesbian has been defined as ghostly—the better to drain her of any sensual or moral authority—she can then be exorcised.”
—Terry Castle, U.S. lesbian author. The Apparitional Lesbian, ch. 1 (1993)