Writing of The Song
While The Sound of Music was in tryouts in Boston, Richard Rodgers felt Captain von Trapp should have a song with which he would bid farewell to the Austria he knew and loved. He and Oscar Hammerstein II decided to write an extra song that Captain von Trapp would sing in the Kaltzberg Festival (Salzburg Festival in the film) concert sequence towards the end of the show. As they were writing it, they felt that this song could also utilize the guitar-playing and folk-singing talents of Theodore Bikel, who created the role of Captain von Trapp on Broadway. The Lindsay and Crouse script provides a metaphor of the edelweiss flower, as a symbol of the Austria that Captain von Trapp, Maria and their children knew would live on in their hearts despite the Nazi Anschluss (annexation of their homeland.) The metaphor of this song builds on an earlier scene when Gretl presents a bouquet of edelweiss flowers to Elsa Schraeder during her visit to the von Trapp household. Rodgers provided a simple yet haunting and affecting waltz-time melody to the simple Italian style ritornello lyric that Hammerstein wrote about the appearance of the Edelweiss flower. This song turned out to be one of the most beloved songs in the musical, and also one of the best-loved songs of Rodgers and Hammerstein.
This song was the last song that Rodgers and Hammerstein wrote together; Hammerstein was suffering from stomach cancer, which would take his life nine months after The Sound of Music opened on Broadway.
Read more about this topic: Edelweiss (song)
Famous quotes containing the words writing and/or song:
“I think it’s the real world. The people we’re writing about in professional sports, they’re suffering and living and dying and loving and trying to make their way through life just as the brick layers and politicians are.”
—Walter Wellesley (Red)
“And that song ain’t so very far from wrong.”
—Frank Loesser (1910–1969)