Discography-- Featured (brief) Eddie Bert Is On Hundreds of Albums
- Red Norvo: Nuances By Norvo (Hep Records, 1938–42)
- Stan Kenton: 1947 (Classics)
- Chico O´Farrill: Cuban Blues: The Chico O´Farrill Sessions (Verve, 1950–54)
- Charles Mingus: Mingus at the Bohemia (Debut, 1955)
- Charles Mingus: The Charles Mingus Quintet & Max Roach (Debut, OJC, 1955)
- Frank Socolow: Sounds by Socolow (Bethlehem, 1956)
- Metronome All-Stars 1956: Verve MGV 8030
- J. J. Johnson: Jay And Kai + 6/J J in Person (Collectables, 1956–58)
- Chris Connor: Sings The George Gershwin Almanac Of Song (Atlantic, 1957) with Al Cohn, Herbie Mann, Milt Jackson, Milt Hinton, Oscar Pettiford, Hank Jones, Osie Johnson
- Michel Legrand: Legrand Jazz (Philips, 1958)
- Thelonious Monk: At Town Hall ( OJC, 1959)
- Charles Mingus: Pre Bird (Mercury/Verve, 1960)
- Nat Pierce: The Ballad Of Jazz Street (Hep 1969)
- Kenny Burrell: Bluesin' Around (Columbia, 1962 )
- Charles Mingus: The Complete Town Hall Concert (Blue Note, 1962)
- Thelonious Monk: Big Band and Quartet in Concert (Columbia, 1963)
- Stan Getz: Mickey One (Verve, 1965) with the Eddie Sauter Orchestra
- Charles Mingus: Charles Mingus and Friends in Concert (Columbia, 1972)
- Eddie Bert: Walk on the Roots (Mothlight, 1985-'89)
- Gene Harris: Live at Town Hall (Concord, 1989)
- Loren Schoenberg: Out of this World (TBC 1997)
- Larry Gillespie and the Manhattan Jazz Orchestra: Contour (Blue Lion Music, 1998)
- Ken Peplowski: The Last Swing of the Century (Concord, 1998)
Read more about this topic: Eddie Bert
Famous quotes containing the words eddie, bert and/or hundreds:
“Has Michael Finn been in here today?”
—Mahatma Kane Jeeves, U.S. screenwriter, and Eddie Eddie. Egbert Sousé (W.C. Fields)
“Members of the faculty, faculty members, students of Huxley and Huxley students. I guess that covers everything.”
—S.J. Perelman, U.S. screenwriter, Bert Kalmar, Harry Ruby, and Norman Z. McLeod. Professor Quincy Adams Wagstaff (Groucho Marx)
“... in the cities there are thousands of rolling stones like me. We are all alike; we have no ties, we know nobody, we own nothing. When one of us dies, they scarcely know where to bury him.... We have no house, no place, no people of our own. We live in the streets, in the parks, in the theatres. We sit in restaurants and concert halls and look about at the hundreds of our own kind and shudder.”
—Willa Cather (1873–1947)