Books
Ed and Lorraine Warren wrote or featured in a number of non-fiction books, including:
- The Amityville Horror, a True Story by Jay Anson (Prentice Hall, 1977)
- The Demonologist: The Extraordinary Career of Ed and Lorraine Warren by Gerald Brittle (Berkley Books, 1980)
- The Devil in Connecticut by Gerald Brittle (Bantam Books, 1983) ISBN 0-553-23714-4
- The Haunted: The True Story of One Family's Nightmare by Robert Curran with Jack Smurl and Janet Smurl and Ed and Lorraine Warren (St. Martin's Press, 1988) ISBN 0-312-01440-6
- Ghost Hunters: True Stories From the World's Most Famous Demonologists by Ed Warren (St. Martin's Press, 1989) ISBN 0-312-03353-2
- Satan's Harvest by Michael Lasalandra and Mark Merenda with Maurice and Nancy Theriault and Ed and Lorraine Warren (Dell, 1990) ISBN 0-440-20589-1
- Werewolf: A True Story of Demonic Possession by Ed Warren (St. Martin's Press, 1991) ISBN 0-312-06493-4
- Graveyard: True Hauntings from an Old New England Cemetery by Ed Warren (St Martins Press, 1992) ISBN 0-312-08202-9
- In A Dark Place: The Story of a True Haunting by Ray Garton (Villard, 1992) ISBN 0-394-58902-5
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“Indeed, the best books have a use, like sticks and stones, which is above or beside their design, not anticipated in the preface, not concluded in the appendix. Even Virgils poetry serves a very different use to me today from what it did to his contemporaries. It has often an acquired and accidental value merely, proving that man is still man in the world.”
—Henry David Thoreau (18171862)
“My main wish is to get my books into other peoples rooms, and to keep other peoples books out of mine.”
—Samuel Butler (18351902)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernisms high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)