Music
The music of Ecuador has a long history. Pasillo is a genre of indigenous Latin music. In Ecuador it is the "national genre of music." Through the years, many cultures have influenced to establish new types of music. There are also different kinds of traditional music like albazo, pasacalle, fox incaico, tonada, capishca, Bomba highly established in afro-Ecuadorian society like Esmeraldas, and so on. Tecnocumbia and Rockola are clear examples of foreign cultures influence. One of the most traditional forms of dancing in Ecuador is Sanjuanito. It's originally from the North of Ecuador (Otavalo-Imbabura). Sanjuanito is a danceable music used in the festivities of the mestizo and indigenous culture. According to the Ecuadorian musicologist Segundo Luis Moreno, Sanjuanito was danced by indigenous people during San Juan Bautista's birthday. This important date was established by the Spaniards on June 24, coincidentally the same date when indigenous people celebrated their rituals of Inti Raymi.
Read more about this topic: Ecuadorian Literature
Famous quotes containing the word music:
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well knownit was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboys pony.”
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.”
—Imamu Amiri Baraka (b. 1934)
“For the introduction of a new kind of music must be shunned as imperiling the whole state; since styles of music are never disturbed without affecting the most important political institutions.”
—Plato (c. 427347 B.C.)