Echos Vs. Maqam in Eponymous Compositional Practice
While in other traditions such as that of Ottoman music, the creation of new modes by eponymous masters resulted in a proliferation of modes (makamlar, maqamat), echoi are not attributed to specific composers, but are rather regarded as belonging to the collective and anonymous heritage of liturgical chant. Eponymous compositions do exist throughout most of the history of Byzantine chant, but their echos is always classified from within the system of existing echoi.
Read more about this topic: Echos
Famous quotes containing the word practice:
“Nonwhite and working-class women, if they are ever to identify with the organized womens movement, must see their own diverse experiences reflected in the practice and policy statements of these predominantly white middle-class groups.”
—Kimberly Crenshaw (b. 1959)