Eastman and Laird's Teenage Mutant Ninja Turtles - Origin of The Concept

Origin of The Concept

The concept originated from a comical drawing sketched out by Kevin Eastman during a casual evening of brainstorming with his friend Peter Laird. The drawing of a short, squat turtle wearing a mask with nunchakus strapped to its arms was incredibly funny to the young artists, as it played upon the inherent contradiction of a slow, cold-blooded reptile with the speed and agility of the Japanese martial arts. At Laird's suggestion, they created a team of four such turtles, each specializing in a different weapon. Eastman and Laird often cite the work of Frank Miller and Jack Kirby as their major artistic influences.

Using money from a tax refund together with a loan from Eastman's uncle, they formed Mirage Studios and self-published a single-issue comic book that would parody four popular comics of the early 1980s: Marvel Comics' The New Mutants, which featured teenage mutants, Cerebus, Ronin, and Daredevil, which featured ninja clans dueling for control of the New York City underworld.

In fact, many comics fans will recognize in the Turtles' origin several direct allusions to Daredevil: The traffic accident, involving a blind man and a truck carrying radioactive ooze, is a reference to Daredevil's own origin story (Indeed in the version told in the first issue Splinter sees the canister strike a boy's face, though in this world it does not split until it reaches the turtles). The name "Splinter" is a parody on Daredevil's mentor, a man known as "Stick." The Foot, a clan of evil ninja who became the Turtles' arch-enemies, is a parody of the Hand, who were themselves a mysterious and deadly ninja clan in the pages of Daredevil.

Read more about this topic:  Eastman And Laird's Teenage Mutant Ninja Turtles

Famous quotes containing the words origin of the, origin of, origin and/or concept:

    In the woods in a winter afternoon one will see as readily the origin of the stained glass window, with which Gothic cathedrals are adorned, in the colors of the western sky seen through the bare and crossing branches of the forest.
    Ralph Waldo Emerson (1803–1882)

    For, though the origin of most of our words is forgotten, each word was at first a stroke of genius, and obtained currency, because for the moment it symbolized the world to the first speaker and to the hearer. The etymologist finds the deadest word to have been once a brilliant picture.
    Ralph Waldo Emerson (1803–1882)

    Someone had literally run to earth
    In an old cellar hole in a byroad
    The origin of all the family there.
    Thence they were sprung, so numerous a tribe
    That now not all the houses left in town
    Made shift to shelter them without the help
    Of here and there a tent in grove and orchard.
    Robert Frost (1874–1963)

    Obscenity is a moral concept in the verbal arsenal of the Establishment, which abuses the term by applying it, not to expressions of its own morality, but to those of another.
    Herbert Marcuse (1898–1979)