Easter Egg - Variations in Popular Culture

Variations in Popular Culture

Easter eggs have inspired the form of many similar objects both precious and mundane, including chocolate eggs, monuments, and the famous Fabergé eggs.

  • Foil-wrapped chocolate Easter eggs.

  • Easter eggs from Vienna, Austria

  • Easter egg monument in Vegreville, Alberta

  • Easter egg or pisanica in Zagreb, Croatia

  • The Peter the Great Egg, commissioned by Czar Alexander III as an Easter surprise for his wife.

Read more about this topic:  Easter Egg

Famous quotes containing the words variations in, variations, popular and/or culture:

    “I may be able to spot arrowheads on the desert but a refrigerator is a jungle in which I am easily lost. My wife, however, will unerringly point out that the cheese or the leftover roast is hiding right in front of my eyes. Hundreds of such experiences convince me that men and women often inhabit quite different visual worlds. These are differences which cannot be attributed to variations in visual acuity. Man and women simply have learned to use their eyes in very different ways.”
    —Edward T. Hall (b. 1914)

    “I may be able to spot arrowheads on the desert but a refrigerator is a jungle in which I am easily lost. My wife, however, will unerringly point out that the cheese or the leftover roast is hiding right in front of my eyes. Hundreds of such experiences convince me that men and women often inhabit quite different visual worlds. These are differences which cannot be attributed to variations in visual acuity. Man and women simply have learned to use their eyes in very different ways.”
    —Edward T. Hall (b. 1914)

    “If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth. But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work”
    —C. John Sommerville (20th century)

    “We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
    —Christopher Lasch (b. 1932)